A Listening Perspective
Listen to Edvard Grieg, “In the Hall of the Mountain King” from the Peer Gynt Suite No. 1, Op. 46 and write a standpoint of each of the four types of listeners (Casual, Referential, Critical, and Perceptive). Be sure to label each post with the name of the type of listener that you are commenting on. When commenting as a referential, critical, or perceptive listener, please address how Grieg achieves unity and variety in the piece through the use of: Dynamics (loud or soft volume, or gradual changes from one to another). Timbre (instruments playing the theme by themselves or in different combinations). Pitch (for instance, an entry of the theme at different registers, i.e., higher or lower than another). Tempo (at what theme entry does the piece start getting faster–accelerando? Does the piece get slower again? 3. Does this piece have any specific connotation(s) for you? If so, what is it? Why does it have it? It should be total 9answers(3 sentences each answer).